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1
Windows / Re: US Web Coated (SWOP) v2 not listed in templates
« Last post by utnik on Today at 11:12:31 am »
hi les

maybe you should tell scribus where to look for the color profiles. ('preferences' → 'general' → 'paths' → 'icc profiles')

utnik
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Windows / US Web Coated (SWOP) v2 not listed in templates
« Last post by LesCM19 on Today at 04:13:25 am »
So I downloaded the ICC profiles from Adobe and there was a profile called US Web Coated (SWOP) which I am guessing is the right one. Right clicked it and installed although there was no confirmation that I noticed.

Run Scribus, File > New FRom template and there are just the ones there that comes with Scribus.

Les
3
Tutorials, Tips and How-Tos / Re: How to type text in text frame
« Last post by utnik on April 22, 2017, 03:00:31 pm »
hi m s narayanan

usually you can import text or write in your text frame after a double click. if this doesn't work, the text frame lies on another layer than the selscted one (or on a master page), or the layer or the frame itself is locked…

utnik
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Raster and Vector Graphics / Re: Polygons: different colors for different parts?
« Last post by utnik on April 22, 2017, 12:27:30 pm »
hi john

you still don't understand what you're doing!
as long as you order the stack of your paths in a mannar that one element with a solid fill ('polygon759') lies on top of almost everything else, you need transparency related blend modes to see the other elements.
  • take a look at the stack order of your elements! (either in the 'outline' window or in 'properties' → 'x, y, z')
  • if you really like to work with vectors, use a real vector tool like 'inkscape'
…The portion of the letter's ghost that lies inside the cartouche remains unselectable and uneditable even though it is part of the letter's shape frame and the letter itself is editable.  Also the potion of the ghost that is uneditable overlies the deep yellow.

i could repeat my first sentence…
what you call the 'ghost' is part of 'polygon3' …and in reality it underlies the outer form of your 'cartouche'. when you set the blend mode to 'normal', the whole 'polygon3' will be invisible (as long as you don't shift it up in the stack…) the darker yellow tone is a result of the blend mode set to multiply.
btw. you can select this polygon with the mouse pointer. but to select an element wich lies below an other one, you need to press 'ctrl' ('cmd' on macOS) while you click through the stack.

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Also I noted that the two Split Polygons are not the letter's polygon frame and the final cartouche's polygon frame, but the letter's frame and the cartouche's frame that has expanded to include the letter's separate frame as well.

yes, as you didn't separate your polygons with 'undo', just the two closed paths have been separated. so the left part of the letter 'A' became part of the inner 'cartouche', while the right part belongs to the outer one…

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…three (not two) polygons have transparencies, even though opacity is now set at 100%(?).

set the blend mode to 'normal!

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…It did not give me the option to export as, the required, PDF-x-1a.  Do you see a reason why this PDF/X type was not an option?

activate your color management and scribus will show .pdf/x-1a.

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…This is a case where there is no physical connection between the two combined parts.  Is this likely to be a known problem?

this is not a problem!
but at th moment your file is far away from a clean vector logo (and as i suggested earlier, you should better use inkscape for this…)

utnik
5
Tutorials, Tips and How-Tos / How to type text in text frame
« Last post by m s narayanan on April 22, 2017, 06:23:34 am »
dear all
I have inserted some images in image frame. i want to make some statement about the image in text form.  I inserted text frame but I am unable to type anything in the text frame.
Kindly assist me in getting text inserted in the text frame.


M S Narayanan
6
Raster and Vector Graphics / Re: Polygons: different colors for different parts?
« Last post by JohnJR on April 22, 2017, 01:55:53 am »
Hi Folks,

With the information you presented, I've re-visited the Logo and experimented with the various blend modes and arrived at the blend modes that seem acceptable to me.  I was using Transparency settings to control the color, instead of shade as I was probably supposed to use all along.

The anomalies, as they appeared originally began when I made the decision to edit the letter corners from squared off to sharper points.  The original letter started as a Text frame that I converted to a polygon frame and was Combined last in the process with the cartouche shape.  The cartouche was in itself an earlier set of four combined polygons using The Path Operations:

The first was combining the two separately created capsules or pills into a single ring shape (I couldn't do this well using Transform, the circles transformed but skewed the sides).  The ring at this point stood as it's own shape with the lighter gold color no internal fill (the strong yellow).

The second was combining the "knot" or "rope braid" polygon (created using Duplicate) over the ring using Path Operators.

The third was combining the the ring/knot over the bar using Path Operations to create the finished cartouche, now a stand alone single polygon.

The fourth was combining the letter (converted to a polygon shape) over the cartouche using Path Operators.

All was happy at this point, but then I decided to edit the letter shape, which at that point was part of the entire combined polygon.  In a tutorial on Editing Shapes it was advised not to use "Undo" combined polygons as the results are not predictable, thus I used Item > Split Polygons, but I wonder if a lot more went on behind the scenes.  When I clicked Split command; bingo, the deep yellow fill appeared into the center of the light gold cartouche with no further action.  I left that as is for the moment because the letter and the cartouche both had their own separate frames returned.  I did note that the Split Polygons option was unavailable to earlier combinations beyond the last two.

Double clicking on the letter polygon to activate the Node dialog box, I was able the sharpen the bottom and the serif tops of the letter and move the letter up a little relative to the cartouche.  That is when I noted that the (cyan) letter had left it's unedited ghost inside the letter frame but colored the same as the light gold cartouche, not the cyan, and remained largely un-amendable.

Since then I have noted a couple of things about the letter's ghost: The light gold indicates that it had de-coupled itself from the letter and attached itself as part of the cartouche, also that the ghost had subsumed itself into the cartouche as an indistinguishable shape--the letter overlaid (and overlays) the cartouche.  Note just below where the letter crosses over the cartouche.


I have been able to edit portions of the ghost (see enclosed new zip file and by the way OS X 10.11.6).  I can select the letter's shape frame and double click to enter the letter's and ghost's Node structure.  However only the portion of the ghost that originally laid outside the cartouche.  You will see that here the ghost's Nodes have been edited to conform to the outline of the letter; in other words the ghost has been tucked into the letter until both are the same.  Voila, the ghost disappears.  The portion of the letter's ghost that lies inside the cartouche remains unselectable and uneditable even though it is part of the letter's shape frame and the letter itself is editable.  Also the potion of the ghost that is uneditable overlies the deep yellow.

Also I noted that the two Split Polygons are not the letter's polygon frame and the final cartouche's polygon frame, but the letter's frame and the cartouche's frame that has expanded to include the letter's separate frame as well.

For some reason hashing around with this, I thought I would see what happens on export to a PDF.  I was immediately presented with PreFlight Verifier telling me that three (not two) polygons have transparencies, even though opacity is now set at 100%(?).  There should have been only two split polygons at this point.  I queried the third one and it gave me a--let me call it a ghost frame--that included only the first capsule created at the beginning of the cartouche and long ago subsumed via Combine Polygons into the finished cartouche in the first step (see above).  Also this capsule is the one filled with the sudden and belated appearance of the deep yellow.  As a clue, I note this one is called "Polygon 3", which might refer to that first Combined Polygon created.  I don't think I used the Path Operators then, just the Combine command.

This third polygon can be selected only through selecting it from the Preflight Verifier and is uneditable, no Nodes can be attached to it and it cannot be recognized any other way.  Otherwise it remains invisible.  Also within this "Polygon 3" is the un-amendable portion of the letter's ghost. A ghost within a ghost.

I have blown the logo down to as low 5/8" (9.5 mm), including the unfinished text frame at the bottom, and printed it in greyscale.  Baring the letter's ghost, the deep yellow is quite striking in greyscale and now I want to keep it.  Happy accident.  The only ill effect is still the letter's ghost, which at that size causes the serifs to blur, become fuzzy.

From all that I have given above in the way of history for this, can you see a path that will allow me to activate this interior portion of the letter's ghost and edit it out?  If you can that would be appreciated.  If not, I hope all this will be of help to others.

Also for a test, I clicked Ignore Errors (transparencies) in Preflight Verifier and exported the logo to PDF.  It did not give me the option to export as, the required, PDF-x-1a.  Do you see a reason why this PDF/X type was not an option?  I do note that layers and transparencies can be issues, but now there are now no transparencies(?) and only one layer, yet the Preflight Verifier still registers the message.

One more question for the future.  Finally I want to edit and convert the text frame to a polygon and Combine Polygons with the cartouche/letter polygon for a single logo polygon.  This is a case where there is no physical connection between the two combined parts.  Is this likely to be a known problem?

Thanks,

 






7
Layout Issues / Re: no colors shown under fill color properties
« Last post by Guillaume on April 21, 2017, 09:05:38 pm »
Thanks for the replies but, the solution was under my nose.  I had  been wondering about a blue line under the two icons:  the brush and the bucket.  That blue line was not a line but the color of the "none" selection.  I happened to click on that line, and it suddenly expanded into the color assortment.  Voila!
8
Layout Issues / Re: Figure overflow in gutter margin
« Last post by poopje on April 21, 2017, 07:18:56 pm »
Hi Garry and Utnik,

I've separated the pages for more than twice the bleed width (didn't this was possible) and this indeed gave the desired result. Thanks for your help!

9
User Interface / Re: Behavior of page up / down
« Last post by utnik on April 21, 2017, 04:38:03 pm »
good idea! – you could suggest this on bugs.scribus.net as a feature request.
(summarize it as short and as precise as possible…)

utnik
10
Beginner Talk / Re: creating booklet
« Last post by GarryP on April 21, 2017, 04:20:03 pm »
You are welcome.

I do not keep up with the forum as much as I used to - sometimes I don't log in for days - but if you ask a question you will normally get an answer within a day or two. For new questions it is better to start a new thread. This keeps things organised and makes it easier for other people to find the information.

People who do not have Scribus installed cannot open the Scribus SLA files but anyone with a PDF reader can view the exported output. (To be more exact, anyone can open an SLA file in a text editor but they will not be able to see what the document looks like.)

If you want other people to be able to open your SLA - with Scribus - you should use the "File -> Collect For Output" function. This function makes a new folder containing copies of the SLA and all of the fonts and images you have used in the SLA. You can then ZIP the folder and send it to anyone you wish. If you share only the SLA itself, images and fonts are not included with it.
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